THERE WILL BE FIREWORKS
As an artist I’ve always been intrigued (and often frustrated) by the almost unattainable ability to capture the rawness and immediacy of various emotions within a ‘finished’ painting. How do you convey your feelings onto a large work? How do you capture the way one views the world onto a static work? Being a landscape painter there is almost an expectation to create an accurate representation of a beach or a seascape. But when I paint, the challenge I set myself is to attempt to recreate a sense of place whilst maintaining the rawness of feelings, emotions and, often, unease. That is why I throw paint across the canvas, scrawl words amongst the work, rip the paper apart or take a chisel to the board.
Listening to music whilst I paint is critical to my process – including writing lyrics onto the finished works.